I mean, I love the novel, but it’s a ton of narration, loads of internal stuff, thought process stuff and emotional beats. 002: How difficult was it to adapt the source text? It was only at that point that I started talking to the Fleming folks. I knew the Dynamite folks, and when they got the license, we began to chat about the various Bond comics projects, and they asked me to jump in on this one.
001: How did you get the call up from IFP to work on this project?
